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we should establish the
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bviously on Chinese films shall study primarily. Second, we should establish the film aesthetics, the ideological source, should not only include the contemporary western cultural ideological achievements, and shall include the history of Chinese culture ideological achievements. And in a sense, we should emphasize this aspect. Thejuicy couture rings reason why we emphasize this aspect, the main not because it is our own (national self), but because it is really great. Chinese culture is a world history most glorious, most abound the vitality of a kind of culture, Chinese culture have had a glorious past, even from idealism point of view also is such. In my opinion, only such Juicy Couture Salereason, can guarantee the Chinese movie esthetics research target of legitimacy. Of course, this is only one aspect of the matter, on the other hand, we must also see that China in modern times, the world is really behind The Times. So, whether this shows that Chinese culture itself does have its insufficient and defect? I think, tjuicy couture outlethis kind of insufficient and defect should be all cultural characteristics (in cultural issues should be firmly opposed "winner princes loser thief view"). In this issue, we should stand in the more macro's point of view. That is to say, we not only of Chinese cultural some deficiencies and defect unsatisfied, and traditional westejuicy couture walletsrn theory and contemporary theoretical defects of same is not satisfactory. Here we will not to hide in some extent transcending western culture and nationality self's intentions. Finally the film aesthetics framework of research problems. This problem, if not properly address and get some solution, film aesthetics model research ajuicy couture handbagsnd institutional research it is absolutely impossible to unfold, film aesthetics research on without any academic norms whatsoever (does not mean in this problem can be hasty). In view of the domestic haven't put forward such frame, I attempt to propose a research framework (this framework benefiting from structuralism thinker resejuicy couturearch), to cast a brick or teach in FangGuZhi use. Film aesthetics research core purpose is to film works aesthetic analysis. In this analysis, the film appeared as a kind of complex system. This system has four obvious elements, maybe we can say, this system has four in turn by the basic unit, namely consciousness unit, story unit,juicy couture earrings thoughts unit and features unit. In the four units in progression of relationships, formed the film three ideographic mainline: perception -- > > > thought - story -- characteristics. Meanwhile, we can also found that, because these four unit of consciousness unit and story unit itself is "super codes" ideographic function, namelyjuicy couture bags: Film works formed three levels, four units and six clues constitutes pattern (for example, the above ideographic here don't clues affirmation is existing). In my upcoming edition of the film studies in the book of the second chapter (namely "film aesthetics" chapter) in the film the system constitution here are: Perception story juicy couture purseside
